Color Grading Central

If you want a set of LUTs that will speed up your color grading process look no further! The Motion Pucture Film LUTs are the best looking LUTs ever released by Color Grading Central! Your films will have a familiar look that your clients will love but not know why! A must buy!

I'll start off by saying that I really like this selection of LUT's. There are plenty of classic cinema grades as well as contemporary looks to chose from. I also really like the idea of them being "extra strong" so they can be used in a more modular fashion, I've taken to using them more as a finishing touch to a base grade I create myself, these LUT's are great for that purpose as well. When I find myself stumped in the creative area, it's very easy to get a simple look started and then have a wide variety of film LUT's from stories that are likely similar in some way to your current project, applying that finishing touch with one of these looks really brings the whole grade together.

First of all, I wanna congratulate Denver for creating these film LUTs. They are truly amazing! However, I purchased MPFT Pro with Courses (they are some of the best) and after and watching his courses, it unified my workflow. If you were like me watching tutorials on YouTube here and there, you will learn color grading but you won't get far. If you are trying to become a professional colorist, then don't Just get the LUTs Pro, Invest in ALL his courses. The knowledge he shares through these courses are very valuable and will help you in your career... If you learn his method of teaching which is incredibly intuitive and apply the looks after your color grade, not only will you get some AMAZING results, it will set you apart from others... All the Best!!! ZIA DaVinci Resolve Colorist/Editor

We've been playing with both the Generic Rec. 709 & camera specific versions of these LUTs. Interestingly, you can apply the camera specific LUTs as Camera LUTs in FCPX, which allows you to preview footage with the LUT before cutting it into the timeline. This is a great set of LUTs! I especially love the Blade Runner, Aviator and Graduate looks. Well worth it.

This Lut's is pretty amazing! Even my GoPro footage looks great with this luts.. Just need to color correct your footage first, and then apply this based film luts, adjust opacity as you like, make a secondary correction if you needed and BAAAAAAM!!!! Thanks Denver!!!

I'd give the course 10 stars if I could! One of the great bonuses is Denver's personal assistance even after I purchased the course. That kind of service is hard to come by these days! Thanks Denver.

This is an easy to use and follow course packed with great data.

Often when I do courses there are always a few things missing. This can often be very frustrating and I end up with help like "but that was obvious". Thank you for explaining/showing for both Mac and Windows and for several editing software's. This is much better, rather than saying "its basically the same".

The Motion Picture Film LUTs - Pro are simply SUPER! I use them in DaVinci Resolve Studio and they will be the start point for quick and nice video when it comes to looks. I suggest them to everyone working on video (DSLR) projects . Good work Denver Riddle & Color Grading Central!

Really Awesome!

So far it looks good, more experience on my end will certainly help

I'm not a big believer in look LUTs (or Instagram filters, etc.) because the results have always seemed to be generic and not reflective of a finish that just feels individually 'right'. These Motion Picture Looks are amazing. They let one 'try-on' some striking looks from visually distinctive films. As pointed out, one likely wants to dial them down a bit if you want to emulate the film precisely but, more importantly, you can quickly get to a starting point that is near to where you want to take your look.

I bought MPFL and LUT gallery the moment they appeared. As the all Denver's products they are very well thought and very high quality. They give me very competitive edge while I'm still mastering the higher grading levels myself. I took Pro version mostly because of the ACES version of the LUTs. But none the less - MPFL are the definite cherry on the top of the cake! :) But combination with a LUT gallery is absolutely another level of the work. I think LUT Gallery is a must for every Resolve user.

I have used LUTS throughout my career, but I have wanted to grow beyond them to build my own as my projects require. So, you'd think a LUT package would be an odd thing to praise, but the beauty of these LUT's combined with Denver's training is they help you understand color theory in a far more practical way. One thing I have been doing is putting on these LUT's and then learning how they were built and trying to replicate them using curves and secondary corrections and masks and just following the Workflow. I guess, I'm not using this product the way it was intended, but I have found it to be a fantastic addition to the Color Grading Academy for Premiere.

I'm loving all this course!

We are in the middle of the golden era for filmmakers and with the help of Denver and the Color Grading Central team we get to do something that a few years ago would have been impossible. In my mind, LUTs aren't filters, they're custom film stocks, and in this case high quality film stocks from iconic movies. Mad Max! Mad Max! I now own the same film stock Mad Max was shot on. Shut the front door! And, if that's not enough, with Denver's "Look Hacking System" I now have the ability to emulate any movie or image in history. Consider that for a moment - 10 years ago you would need a team of people and camera gear, along with owning a film stock company and lab to achieve these results. I think impossible just got smashed.

I am enjoying learning how to use Color Finale and also the film LUTS. I think Denver explains them slowly enough and well.